I am so in awe of people who have the time and patience to create these amazing miniature situations. This is a write-up about this particular artist:
For some reason, human beings can’t get enough of imagining our own destruction. From REM and Roland Emmerich to National Geographic and NASA, the apocalypse never goes out of style. Now fine-art photographer Lori Nix is adding her eerie vision to the mix with an exhibition called ”The City”, in which:
“Public spaces devoted to history and science lie deteriorating and neglected while nature slowly takes them back.”
The twist is that Nix’s photos aren’t Photoshop manipulations — they’re real images of tiny, painstakingly detailed dioramas that Nix has designed just for these photographs. She built the 3D scenes in her living room on nights and weekends with the help of an assistant, with each one taking anywhere from two to fifteen months to complete. Nix then shot the dioramas on normal 8×10 film, making her minuscule creations — about 20″ x 24″ x 72″ small — appear nearly indistinguishable from full-size scenes. ”The City” is showing at New York’s Clamp Art Gallery until December 18, and then at Chicago’s Catherine Edelman Gallery from January 7 to February 26, 2011 (see link at very bottom for more info and more photos). Take a look at Nix’s beautiful/awful vision of the future, and be glad that these scenes only exist in her Brooklyn apartment and not outside your window. Yet.
Enjoy!
For some reason, human beings can’t get enough of imagining our own destruction. From REM and Roland Emmerich to National Geographic and NASA, the apocalypse never goes out of style. Now fine-art photographer Lori Nix is adding her eerie vision to the mix with an exhibition called ”The City”, in which:
“Public spaces devoted to history and science lie deteriorating and neglected while nature slowly takes them back.”
The twist is that Nix’s photos aren’t Photoshop manipulations — they’re real images of tiny, painstakingly detailed dioramas that Nix has designed just for these photographs. She built the 3D scenes in her living room on nights and weekends with the help of an assistant, with each one taking anywhere from two to fifteen months to complete. Nix then shot the dioramas on normal 8×10 film, making her minuscule creations — about 20″ x 24″ x 72″ small — appear nearly indistinguishable from full-size scenes. ”The City” is showing at New York’s Clamp Art Gallery until December 18, and then at Chicago’s Catherine Edelman Gallery from January 7 to February 26, 2011 (see link at very bottom for more info and more photos). Take a look at Nix’s beautiful/awful vision of the future, and be glad that these scenes only exist in her Brooklyn apartment and not outside your window. Yet.
Enjoy!
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